I am extremely sensitive to place.

Perhaps my Irish background, with both sets of grandparents only a few miles from each other, shaped me that way. This includes the flora & fauna, the ancestors and the spirits of a place. My poetry is poetry of place, grounded in seasonal settings and the particulars of location.

This is why my poetry over the past twenty-two years is Hawaiʻi-based. It’s also why I dance Kupuna Hula.

Poetry is my life.

Both my grandfathers were poets. I’m simply following their lead. I’ve never stopped writing poetry. I’ve published in small presses, but the bulk of my current published poetry was self-published (under the aegis of the Inkwells, a writing group I belong to here in Kohala, Hawai’i Island).

Browse and read my poetry and writing drafts by the year:


2018 Carolyn Jakielski 2018 Carolyn Jakielski

Egrets Pau Hana

Right about now the whitecaps break free
become a flock of egrets nothing purposeful
flashing and soaring how can I not feel joy
ecstasy jubilation at the sight they say
it’s too far away to be of consequence
from up here on the casuarina cook pine
covered slope looking over the treetops
down to sunlight caught up in the nets

Right about now the whitecaps break free
become a flock of egrets nothing purposeful
flashing and soaring how can I not feel joy
ecstasy jubilation at the sight they say
it’s too far away to be of consequence
from up here on the casuarina cook pine
covered slope looking over the treetops
down to sunlight caught up in the nets
of the shoreline we can’t see and out there
the horizon so high it’s hard to believe
this world’s not inside out in more ways
than one but it’s okay this moment here
they come again another uprush of confetti
first east then west like I said there’s no mind
making itself up this could be our worst fear
looking out for the meaning of life
and seeing the waves transformed
into big-winged beak-thrusting
cattle egrets at the end of their work day
some people hate these birds because
they’re interrupting the cattle shit cycle
after all they’re newcomers arrived in ’73
not native not indigenous invasive
I can hear the muttering right here
between by one bad ear and my shoulder
but I don’t care I’m with these pau hana
messengers I look up and see sheer beauty
it’s out of this world no I take that back
it is this world lifting soaring flickering flashing
the ultimate surrender unfold my heart
go free my salt tears all the cautionary tales
of melting wax or the grasping tide
fall away in this moment

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2018 Carolyn Jakielski 2018 Carolyn Jakielski

The Shadow Of Strings

Tonight the shadow of Mila’s strings impressed
Against the velvet insides of his open guitar case
Like a door ajar as if to say I’ve just arrived
But I’m ready to leave the lid wide receiving
That hundred dollar bill with a request for a song
Written in ink so bold at least that’s the idea
Somehow the singer’s ice breaking conversation
Always fresh like the repertoire Leonard Cohen’s
Hallelujah dropped into a sea of slack key medley

Tonight the shadow of Mila’s strings impressed
Against the velvet insides of his open guitar case
Like a door ajar as if to say I’ve just arrived
But I’m ready to leave the lid wide receiving
That hundred dollar bill with a request for a song
Written in ink so bold at least that’s the idea
Somehow the singer’s ice breaking conversation
Always fresh like the repertoire Leonard Cohen’s
Hallelujah dropped into a sea of slack key medley
Falsetto for once misnamed because the high notes
Don’t lie most of us come here saying nothing
Keeping our melodies to ourselves hiding inside
The amplification so we let him carry the tune
We don’t even understand the words most of the time
What is this parallel world I keep asking myself
This place I find myself where people are just
Trying to get by he looks out and sees us
With our loss there on our sleeves our found
Here in our eyes if we disappeared he’d still
Keep playing what’s that saying just that
He’s brought it too this possibility this chance
That something between us will pick up
Another chord a vibration that’ll keep moving
Right on up the hill through the night
Into the dark under the starry sky
I turn into the place called home and wonder
Is the soul inside or out am I the impression
Left when the lid is closed tight pressed
Down against my strings right now
I’m feeling small my voice is so far
Inside I can hardly hear it so far
I’m beginning to wonder if I understand
What’s going on this coming together
This coming apart don’t tell me music
Is magical and the singer’s the messenger
This is the crazy thing this coming down
To earth half believing it’s not a dream
What’s it going to take to get ahold of
This connection business tonight it rained
And we got closer closed those distances
We call ourselves hey it was a taste
In the end we paid our bills mine yours
Left our respective tips there on the wet
Tables and then it cleared we look up
See planets we can name galaxies
We can’t the crazy thing this looking up
All those lines we didn’t understand
Hawaiian or English it doesn’t matter
Inside all language there’s another language
So let’s just say we took our cells to the gig
And the songs pressed themselves against our velvet minds

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2018 Carolyn Jakielski 2018 Carolyn Jakielski

I’ve Never Owned A Horse

I’VE NEVER OWNED A HORSE

Hurricanes ride past
each casts a calm eye
from the center of its wildness
but we’ll never get used to it
complacency earns a different sort of look
I’ve given that look said nothing
seen so many alerts
not that I don’t care
not that I’m unaware
if anything prepared as ever I can be
one thing I’ve learned you can rush to the scene
but it doesn’t do any good

I’VE NEVER OWNED A HORSE

Hurricanes ride past
each casts a calm eye
from the center of its wildness
but we’ll never get used to it
complacency earns a different sort of look
I’ve given that look said nothing
seen so many alerts
not that I don’t care
not that I’m unaware
if anything prepared as ever I can be
one thing I’ve learned you can rush to the scene
but it doesn’t do any good
if anything the truth gets hung up waiting
you’re left musing on local architecture
smiling fantasizing how things are gonna go
I won’t say you’re on your own no matter what
but that’s close

tonight there’s a heavy bass
walking through the house
like a determined man
with no shadows and the lamps blazing
I can hardly understand the lyrics
a woman’s voice sings
it’s my life
and I’ll do what I like
the snare drum gives me a chill

I’ve never owned a horse and
I’m no white knight
I’m done rescuing damsels
I was never cut out for it
my place at the round table
was all a game in the garden of my childhood
chivalry just gets me in trouble
dragons are my friends
and anyway the princess
is always a princess
whose alerts keep coming across my screen
excuse me while I flick one more away
so I can keep an eye on the storm’s path

everybody sees an island
in the wide wide sea
but everybody is an island
fire and ice
some good days
and some make you look up and frown
complacency doesn’t sit well with me
but I know when there’s nothing more I can do
outside that radius of possibilities
out there beyond my reach

I might as well say a prayer
before I turn out the lights
turn into the cover of night
where the noise of the world
is supposed to fall away
maybe the windows will shudder
and the trees will break like an ocean shore
and the wind will play the house like an aeolian harp
we’re waiting here
our openings offer themselves up to the wind
it’s a long night
this letting go

everything’s on hold
the theme here is release
no one said it would be easy
so don’t mind me while I rage against that distant light
the one I left on
left burning on two continents
I’ll get over it I swear but forgive me
if these storms give me free rein
to charge right up to the disappearing moon
and when I set foot there
look down on this moment
the other side of time lapsing clouds
at the places where words failed me
and all songs sounded mixed up and familiar
you know the problem is
I can’t say what I mean
the storms come in
one after another
Hector Lane Miriam Norman
a flight of orphans
nobody’s children
all virgin births all come of age in a hurry
all we can do is nod to their could
would might at such a speed
at such an hour no wonder
I’m jealous of their uncluttered power

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2018 Carolyn Jakielski 2018 Carolyn Jakielski

Going To The Market For Blueberries

Blueberry run a good example of what’s mundane
elevated would you have to look very hard to see
the mystical dimension can it be far perhaps
that search for answers perhaps present moments
concentrated in small deep blue berries born
at high altitude in unlikely proximity to the equator
orb overlaid upon orb what we see as quantifying
the circumference of the circle the area of the sphere
is after all small pictures of the whole surely
that’s mystical in itself yesterday I heard it said
if we look for a sense that we don’t belong we see it
everywhere what is that?

Blueberry run a good example of what’s mundane
elevated would you have to look very hard to see
the mystical dimension can it be far perhaps
that search for answers perhaps present moments
concentrated in small deep blue berries born
at high altitude in unlikely proximity to the equator
orb overlaid upon orb what we see as quantifying
the circumference of the circle the area of the sphere
is after all small pictures of the whole surely
that’s mystical in itself yesterday I heard it said
if we look for a sense that we don’t belong we see it
everywhere what is that? this seeing that shapes us
this walking that vibrates place transforming seeming
solidity and certainty into waves merely intensified
were they always there were they always here an ocean
of understanding not even waiting or feeling but being
as Noelle said just being so simple not simplistic
and so today a day when I drove away without my
hearing aids as if I’d heard too much of the pain
so much I was beginning to see the blood of children
running in the rain on a day like this the mundane
calls my name beckons I can’t hear what it’s saying
very well but I see waving feel the vibrations
of some deeper understanding getting through to me
without battery operated amplification I can hear
the voices of change this is how it’s been this is how
walls come down just when I realize I’ve been looking
down so long I look up and see the horizon is alive
with red hibiscus in their lush wall of green breath
leaves of breathing when I drove home over the mountain
I cried for those who reach for a gun before they reach
for their own pain or their children children are the fruit
the flower the leaf the breathing trembling of our own roots

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